Evergon: a.k.a. Celluloso Evergonni, Eve R. Gonzales, Egon Brut. Evergon's work represents a thirty-five year international career as an instructor and as an artist/photographer imaging primarily, but not exclusively, gay male culture. Evergon construes art history in his very own way, while the grand genres such as landscape take a whole other meaning through his look, or with his quotes of the great masterpieces.
Concerned with technology, past and present, his early photographs explored non-silver processes and electrostatic works. These were followed by instant imaging photographs that culminated with 1 meter x 2 meters colour Polaroid prints. In the 1990’s, there were primarily two bodies of work from Polaroid press cameras. The first was a fabricated document of 'Ramboys: a Bookless Novel' finalized as large silver gelatin prints. The other was documented fiction/action within Manscapes – international male-to-male cruising grounds completed in various modes of digital imaging. In the last ten years, Evergon’s works include larger-than-life nudes of his Mother, ‘Margaret & I’ and a selection of images gleaned from his lifetime trove of memorabilia accompanied with self-portraits, ‘Chez Moi: Domestic Content’. In XXX/L and Passion Plays, Evergon presented life size images of himself cavorting with other men. These images are concerned with the crosshatch between images of pornography with the classical Icons of Western Art. ‘A Sailor’s Lament’, presented at Galerie Trois Points, is an installation of two videos, East and West views of the Port of Montreal, a photograph of Port Hope in winter, wall text and a group of photographs of Evergon strutting for his camera wearing a grass skirt, a sailor’s hat, and a giant tattoo of a red haired mermaid. The exhibiton, in Galerie Verticale, Laval, QC, presented 17 running hours of videographed cruizing grounds in and around Montrealopolis and 10 large Inkjet Photographs from the afore mentioned ‘Passion Plays’: both bodies of work present a different investigation of the title.
| 2012 | 2B Lifestyle | Jordan Arseneault |
| At Home with Evergon | 22 mars |
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| 2012 | Border Crossings | Michael Rattray |
| Please Lie to Me | 15 février |
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| 2010 | ETC Montréal (no.90) | Édith-Anne Pageot |
| Iconographie homoérotique et enjeux politiques dans l’oeuvre récente d’Evergon | 1 avril |
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| 2006 | BlackFlash (vol. 24) | Eduardo Ralickas |
| The Gospel according to Evergon: Porn, Cynicism and the Aesthetics of Christianity | 1 janvier |
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| 2003 | Le Journal de Montréal | Paul Villeneuve |
| Le corps gay. Un événement unique | 12 octobre |
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| 2003 | Journal Access | Christine Dufour |
| Dossier gai. Le corps gay. Andropologie | 4 octobre |
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| 2003 | La Presse | Jérôme Delgado |
| Le Corps gay : au-delà des stéréotypes | 7 septembre |
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| 2003 | Fugues | André-C. Passiour |
| Le Corps gay | 1 septembre |
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| 2003 | ETC Montréal | Yvan Moreau |
| L’obsession du réel | 1 septembre |
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| 2003 | RG (no. 239) | |
| Saint-Jérôme accueille ‘Le Corps gai | 1 août |
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| 2003 | ETC Montréal | Christine Palmiéri |
| Le corps comme lieu du trouble | 1 juin |
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| 2003 | Vie des Arts | Lyne Crevier |
| Mythologies sérielles | 1 juin |
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| 2003 | CVphoto (no. 58) | Alain Laframboise |
| Le miroir d’Evergon | 1 juin |
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| 2003 | Dernière heure | Jean-Jacques Court |
| Nu dans une exposition | 25 mai |
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| 2003 | Mirror | Geneviève Paiement |
| Pulsating Passions | 16 mai |
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| 2003 | Vie des Arts (no.190) | |
| Confluence photographique | 1 avril |
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| 2001 | Le Devoir | Bernard Lamarche |
| Bilan buissonnier | 29 décembre |
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| 2001 | Artpress | Paul Ardenne |
| le mois de la photo | 1 novembre |
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| 2001 | La Presse | Hugo Dumas |
| Evergon et l’art du polaroïd | 20 octobre |
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| 2001 | Voir | Nicolas Mavrikakis |
| Rétroviseur | 27 septembre |
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| 2001 | Voir | Nicolas Mavrikakis |
| Portrait de famille | 20 septembre |
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| 2001 | Mirror | Geneviève Paiement |
| Top of the Arts | 13 septembre |
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| 2001 | Le Devoir | Stéphane Baillargeon |
| Margaret et lui | 12 septembre |
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| 1999 | Le Devoir | Bernard Lamarche |
| Lieux de rencontre | 11 décembre |
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| 1999 | Voir | Nicolas Mavrikakis |
| Parcs d'attractions | 2 décembre |
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| 1999 | Mirror | Siobhàn O'Connor |
| Ever Gone Cruising? | 25 novembre |
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| 1999 | Le Devoir | Bernard Lamarche |
| S'en allant dans les bois... | 28 mars |
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| 1999 | Le Devoir | Bernard Lamarche |
| Nos Choix - Arts visuels | 20 mars |
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| 1998 | ETC Montréal | Yvan Moreau |
| La sexualité est une signature du réel | 1 septembre |
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| 1998 | Fugues | André C. Passiour |
| Evergon à Montréal | 1 mai |
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| 1998 | Orientations (vol.2 | no.4) | Pierre-I. Girard |
| Les dieux sont tombés sur la tête! | 1 avril |
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| 1998 | The Gazette | Henry Lehmann |
| Photo Exhibition by Evergon more chic than cheeky | 28 mars |
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| 1995 | ETC Montréal | Réjean-Bernard Cormier |
| La confrérie des Ramboys | 1 décembre |
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| 1995 | Le Devoir | Jennifer Couëlle |
| La mise en scène de l'image | 5 novembre |
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| 1995 | Le Devoir | Jennifer Couëlle |
| Derniers jours pour voir... | 8 septembre |
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| 1995 | Fugues | Le mois de la photo à Montréal |
| L'éternel et l'éphémère | 1 septembre |
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| 1995 | The Gazette | Ann Duncan |
| Mois de la Photo features work of 250 artists | 26 août |
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| 1995 | The Gazette | Alan King |
| Altered states | 5 août |
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Evergon’s work is currently showing at PLATFORM centre for photographic + digital art in Winnipeg until October 20th. The exhibition features artists from Montreal, Toronto, Winnipeg, London, Chicago and Los Angeles. Evergon is presenting some photographs from the Crossing the Equator series, showed at the gallery in 2009.
From April 19th to June 10th, Maison de la culture Parc-Extension is showing pieces from François Rochon's collection. The exhibition, which is presenting a piece by Evergon, is one of the nine parts of Collectionner, an event that takes place in different places in Montreal.
An article about Please Lie to Me the collective exhibition featuring Evergon at Art Mûr just been published in Border Crossings 31rd issue. You can read the full article here.
Evergon is part of the extensive group show Mens-moi / Please Lie To Me, celebrating Art Mûr's 15th anniversary. The exhibition until December 17th and features works from more than a dozen of artists exploring our troubled relationship with truth...
Evergon is on "Art Montréal Contemporain" presented in the frame of l'Exposition Universelle of Shanghai until 19 mai, 2010