It was love at first sight: an intaglio class at the Ottawa Municipal Art Centre, 1975. Julie signed up for the next session vowing to do more etching when she got to the art school in Toronto. Unfortunately, all the intaglio courses were full and in a print withdrawal state of desperation so Julie grabbed the only available slot, serigraphy. She hated it, almost dropped out of the course and was saved by crayon resist (“crayon resistance”?) and photoscreen.
Now, Julie Voyce lives to print! She's done more etching, more silkscreen, lithography, relief printing and always has a great time with any Canon photocopier. Drawing, painting, toy making, book making, comics, cartoons, installation, shameless public displays and the construction of dust collecting trinkets have served to keep her out of trouble.
Julie Voyce graduated from the Ontario College of Art in 1980. Her work has traveled to St. John's, Vancouver, Montreal, Lethbridge, Owen Sound, Saskatoon, Los Angeles, Buffalo, New York, Rome, London-England and Siberia. Julie's work has most recently been shown at The Tom Thomson Art Gallery, Galerie Trois Points, Art Metropole, LandymoreKeith Contemporary Art, the Southern Alberta Art Gallery, apexart and is housed in the following collections: The Canada Council Art Bank, Various Private, the Art Gallery of Mississauga, The Museum of Modern Art Library, The Edward P. Taylor Research Library @ the AGO, The Montreal Museum of Fine Arts, Osler Hoskin & Harcourt, Ernst & Young, Art Metropole, The Bank of Montreal and the Banque Nationale du Canada.
| 2005 | National Post | Julia Dault |
| Equal Parts Dr. Seuss and poure imagination | 1 décembre |
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| 2005 | Staff Web | |
| Toronto Artiste, Julie Voyce, will lecture in Art Now | 25 novembre |
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| 2004 | Edmonton Journal | Gilbert Bouchard |
| An abstract approach to capturing molecules | 3 décembre |
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| 2004 | Border Crossings | Scott Treleaven |
| What it feels like for a girl | 1 janvier |
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| 2002 | Globe and Mail | Gary Michael Dault |
| The Drawing Show at Ne Plus Ultra | 21 décembre |
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| 2001 | Now | Deirdre Hanna |
| Voyce steps up | 11 octobre |
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| 2001 | Broken Pencil | Paola Poletta and Jon Sasaki |
| Julie Voyce's Mail Art Fun House | 1 janvier |
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| 2000 | Lola #6 | Luis Jacob |
| Julie Voyce Mail Art Project, ongoing series | 1 juin |
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| 1999 | Globe and Mail | Gary Michael Dault |
| ...and flash-and-sass grrrl power | 13 novembre |
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| 1999 | Toronto Star | Christopher Hume |
| Art by numbers | 6 novembre |
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| 1999 | Printmaking Today | Monica Biagioli |
| Go, transfer and multipliy | 1 septembre |
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| 1999 | Lola #4 | Rebecca Diederichs |
| Hello, from Julie Voyce | 15 février |
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| 1999 | Globe and Mail | Blake Gopnik |
| | 1 janvier |
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| 1998 | Gazette | Henry Leymann |
| Muffled anger and fantasy with edge | 7 février |
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| 1998 | Voir | Eliza Girffiths |
| Femmes d'aujourd'hui | 5 février |
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| 1998 | Hour | Lorrie Blair |
| Lives of Girls | 29 janvier |
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| 1997 | Globa and Mail | Betty Anne Jordon |
| Wonderland artist look at womanhood | 18 octobre |
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| 1997 | C | John Armstrong |
| Julie Voyce | 1 février |
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| 1995 | C | John Armstrong |
| Mirsule at the Apollo | 1 février |
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| 1995 | Eye | Oliver Girling |
| To Hell in a Hallmark Card | 26 janvier |
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| 1995 | Descant | Peter O'Brien |
| | 1 janvier |
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| 1994 | London Free Press | Joe Matyas |
| New Western Centre more student oriented | 19 novembre |
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| 1993 | Eye | Oliver Girling |
| Mad, Bad and Dangerous | 29 juillet |
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| 1990 | The Toronto Star | Christopher Hume |
| Unique Voyce prints a clear view of her soul | 1 juin |
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| 1989 | Metropolis | Donna Lypchuk |
| Menacing Metaphors | 26 octobre |
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| 1989 | Now Magazine | Deirdre Hanna |
| Voyce's litographs fine tune tensions | 5 octobre |
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| 1989 | Now Magazine | Deirdre Hanna |
| Scrap Plate Project bears striking fruit | 9 février |
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| 1989 | Toronto Star | Christopher Hume |
| An Invitation to come up and see some etchings | 4 février |
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| 1987 | Toronto Star | Christopher Hume |
| | 17 mai |
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| 1987 | Vanguard | Deirdre Hanna |
| Julie Voyce Garnet Press | 3 mai |
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| 1987 | Now Magazine | Dierdre Hanna |
| | 1 février |
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| 1987 | Toronto Star | Christopher Hume |
| | 30 janvier |
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| 1987 | Globe and Mail | John Bentley Mays |
| | 29 janvier |
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| 1984 | Canadian Art | |
| | 22 septembre |
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The Taddle Creek magazine has just published an article about Tel-Talk featuring Julie Voyce. Tel-Talk is a series of installations created by artists who take over phone booths in Toronto. You can read the article by clicking here.
Pieces from Julie Voyce will be showcased at the Zweigstelle Berlin Gallery during the group show Toronto/Berlin 1982-2012. The event is presenting a reflexion about the drawing as a universal medium and language. The opening reception is from 7 p.m. to 10 p.m. on June 15th.
Julie Voyce is part of Tel-Talk, a series of installations created by artists who take over phone booths in Toronto.
Voyce is working with two phone booths outside the liquer store on Queens Quay East. These flowers were put in a week ago. After a week, she went to the booths to check on things. One of the bunches of flowers was still there-the other bunch had been taken. Two pennies were left on top of that phone. New flowers have been installed. This will happen once a week during February 2012.
Julie Voyce is participating at the group exhibition at the MOCCA in Toronto entitled This is Paradise, from June 25 to August 21